|Italo Calvino (1923-1985)|
"Writers write what they can. The act of writing is a function that becomes effective only if it allows one to express one’s inner self. A writer feels several kinds of constraints—literary constraints such as the number of lines in a sonnet or the rules of classical tragedy. These are part of the structure of the work within which the personality of the writer is free to express itself. But then there are social constraints such as religious, ethical, philosophical, and political duties. These cannot be imposed directly on the work but must be filtered through the writer’s inner self. Only if they are part of the innermost personality of the writer can they find their place in the work without suffocating it."Italo Calvino blev 1983 intervjuad av Damien Pettigrew och Gaspard Di Caro. Hela intervjun finns i Paris Review. Om skrivandets hantverk säger Calvino:
"I write by hand, making many, many corrections. I would say I cross out more than I write. I have to hunt for words when I speak, and I have the same difficulty when writing. Then I make a number of additions, interpolations, that I write in a very tiny hand. There comes a moment when I myself can’t read my handwriting, so I use a magnifying glass to figure out what I’ve written. I have two different handwritings. One is large with fairly big letters—the os and as have a big hole in the center. This is the hand I use when I’m copying or when I’m rather sure of what I’m writing. My other hand corresponds to a less confident mental state and is very small—the os are like dots. This is very hard to decipher, even for me.
My pages are always covered with canceling lines and revisions. There was a time when I made a number of handwritten drafts. Now, after the first draft, written by hand and completely scrawled over, I start typing it out, deciphering as I go. When I finally reread the typescript, I discover an entirely different text that I often revise further. Then I make more corrections. On each page I try first to make my corrections with a typewriter; I then correct some more by hand. Often the page becomes so unreadable that I type it over a second time. I envy those writers who can proceed without correcting."